<?xml version="1.0" encoding="UTF-8"?>
<record
    xmlns:xsi="https://www.w3.org/2001/XMLSchema-instance"
    xsi:schemaLocation="https://www.loc.gov/MARC21/slim https://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd"
    xmlns="https://www.loc.gov/MARC21/slim">

  <leader>01722nam a2200205   4500</leader>
  <controlfield tag="001">388823</controlfield>
  <datafield tag="090" ind1=" " ind2=" ">
    <subfield code="a">388823</subfield>
  </datafield>
  <datafield tag="100" ind1=" " ind2=" ">
    <subfield code="a">20091207d1957       y0pory50      ba</subfield>
  </datafield>
  <datafield tag="101" ind1=" " ind2=" ">
    <subfield code="a">eng</subfield>
  </datafield>
  <datafield tag="200" ind1=" " ind2=" ">
    <subfield code="a">The television commercial</subfield>
    <subfield code="e">how to create and produce effective TV advertising</subfield>
    <subfield code="f">Harry Wayne McMahan</subfield>
  </datafield>
  <datafield tag="210" ind1=" " ind2=" ">
    <subfield code="a">New York</subfield>
    <subfield code="c">Hastings House</subfield>
    <subfield code="d">cop. 1957</subfield>
  </datafield>
  <datafield tag="215" ind1=" " ind2=" ">
    <subfield code="a">223 p.</subfield>
    <subfield code="c">il.</subfield>
    <subfield code="d">25 cm</subfield>
  </datafield>
  <datafield tag="225" ind1=" " ind2=" ">
    <subfield code="a">Communication Arts Books</subfield>
  </datafield>
  <datafield tag="330" ind1=" " ind2=" ">
    <subfield code="a">Chapter 1 &#x2013; Television as a selling tool: &#x201C;sight and sound&#x201D;. Chapter 2 &#x2013; The eleven men on the team: &#x201C;position and goal&#x201D;. Chapter 3 &#x2013; The viewer. &#x201C;he begs to differ&#x201D;. Chapter 4 &#x2013; Start with the idea: &#x201C;back to basic advertising&#x201D;. Chapter 5 &#x2013; Analysis and aims: &#x201C;define your problem&#x201D;. Chapter 6 &#x2013; Live or film: &#x201C;points of decision&#x201D;. Chapter 7 &#x2013; The five production techniques: &#x201C;Cost and comparisons&#x201D;. Chapter 8 &#x2013; Cartoon: &#x201C;The universal language&#x201D;. Chapter 9 &#x2013; Live action: &#x201C;dialogue vs. narrative&#x201D;. Chapter 10 &#x2013; Stop motion: &#x201C;mechanical ingenuity&#x201D;. Chapter 11 &#x2013; Puppets: &#x201C;some are dolls&#x201D;. Chapter 12 &#x2013; Photo animation: &#x201C;the budget saver&#x201D;. Chapter 13 &#x2013; Working to a budget: &#x201C;blending techniques&#x201D;. Chapter 14 &#x2013; The sound track: &#x201C;the singing jingle&#x201D;. Chapter15 &#x2013; Station break: &#x201C;the twenty and the ten&#x201D;. Chapter 16 &#x2013; The writer: &#x201C;man with four heads&#x201D;. Chapter 17 &#x2013; The final script: &#x201C;17 points of evaluation&#x201D;. Chapter 18 &#x2013; Random observations: &#x201C;fact and theory&#x201D;. Photos and credits. About the author.</subfield>
  </datafield>
  <datafield tag="606" ind1=" " ind2=" ">
    <subfield code="a">TELEVIS&#xC3;O</subfield>
    <subfield code="9">227106</subfield>
  </datafield>
  <datafield tag="700" ind1=" " ind2=" ">
    <subfield code="a">McMAHAN</subfield>
    <subfield code="b">Harry Wayne</subfield>
    <subfield code="9">356119</subfield>
  </datafield>
  <datafield tag="955" ind1=" " ind2=" ">
    <subfield code="x">Oferta</subfield>
  </datafield>
  <datafield tag="995" ind1=" " ind2=" ">
    <subfield code="1">0</subfield>
    <subfield code="4">PJ_15_000000000000000_C_4</subfield>
    <subfield code="5">2022-06-06</subfield>
    <subfield code="6">PJVAR4107</subfield>
    <subfield code="9">420015</subfield>
    <subfield code="a">PJ</subfield>
    <subfield code="c">PJ</subfield>
    <subfield code="f">PJ1VAR4107</subfield>
    <subfield code="k">PJ15.C.4</subfield>
    <subfield code="n">2022-06-06</subfield>
    <subfield code="o">0</subfield>
    <subfield code="r">MO</subfield>
    <subfield code="x">Oferta</subfield>
  </datafield>
</record>
